This Floating Excrement Was Far Too Symbolic! It's the TV Letdowns of the Past Year.

Looking back, we reflect on the television offerings of the past year, a selection of series emerge not for their brilliance, but for their notable shortcomings. Ranging from awkward spin-offs to bafflingly bad docuseries, here are the productions that left us utterly bewildered or simply reaching for the remote.

And Just Like That

How to start with this love/hate follow-up? Plagued with dreadful scripts, painful arcs (justice for Miranda!), and a mere 71 seconds of beloved Samantha, the show struggled to justify its existence. For a moment, as the final series started, it looked like it had finally hit its stride. Then arrived an installment all about Seema’s natural deodorant. No wonder the showrunner declared this would be the final season. It ended on a low point; the lingering shot of Miranda’s toilet full of poo was just way too symbolic. Yet, fans undeniably found joy dissecting every single “what on earth?” episode. And as Carrie – a single woman once more – twirled around her palatial townhouse to Barry White, who couldn't let out a little sob?

All’s Fair

‘Is Kim Kardashian an actress? Of course she can’t.’

But that was practically the least of this drama's issues. The recipient of a very rare no-star assessment, it was hard to know where to begin listing the problems. The laughably leaden dialogue? The mind-numbing veneration of affluence and materialism? The seemingly wilful procession of tropes? Acting so poor they felt almost spiteful? Suffice it to say “each and every one” and forget about this series again. Except, a new season has been ordered, so we’re likely going to have to.

AKA Charlie Sheen

Considering the restraining orders, abuse allegations and fatherly shortcomings, it’s fair to say Charlie Sheen has been a troubled figure. Not you’d really have known it from this three-part docuseries which chuckled along at Sheen’s various bouts of self-destructive hedonism while failing to tell us a single thing we didn’t already know. Rather, it felt as if this loose cannon was being indulged, so any pity this show might evoke should be saved for the people who have had to endure proximity with this charismatic but dismissive egotist.

The Iris Affair

Of course we knew it was ridiculous from the outset: a thriller about a AI known as Charlie Big Potatoes that could either save the world – or destroy all of humanity. We persevered out of sheer love for its stars … but by the end, it felt like even they had stopped bothering. One scarcely cared when his character died, and the other ultimately slicing Charlie with an axe … in super slow-motion. That's what you call giving up the ghost.

MobLand

Dodgy figures meeting in deserted boxing gyms? A certain band's Firestarter blaring in club scenes? The late 90s called and demands its crime drama back.

In truth, that is harsh on the gangland dramas of the late 90s. Many seem a little dated now, but at least they didn’t endure the embarrassment of having to indulge baffling accents. But there were many other problems. Mainly that it was just profoundly boring; a conflict over drug-selling territory between various cockney picaresques which seemed rather simplistic.

With Love, Meghan

Given the degree to which she grinds the gears of certain ostentatiously enraged commentators, it’s almost easy to admire the Duchess of Sussex’s various ventures into twee homemaking as intentional statements. But then you view them and are forced to concede that in this case, they may have a point. It’s like watching a lifestyle magazine animated; a meme for evening drinks with delusions of grandeur; a procession of snoozing dogs, humming beehives, sentimental platitudes and pointless crafting “tips” you’ll forget instantly. All supported by immense, largely unearned wealth. Ugh.

Victoria Beckham

There are clearly fascinating things to be said about regarding Victoria Beckham and her journey with vocation, identity, self-acceptance. But for some reason, this documentary series opted not to say them. Instead, the viewing was akin to reading a marketing catalogue. She clearly has good reason to resent what she describes as her “stern” image. But sadly, she failed to do herself any helps with this cagey letdown of a series.

The Inheritance

It should have been the next cultural phenomenon – except even more extravagant, with a famous star as a deceased benefactor and a well-known personality overseeing her inheritance. What more could you ask for? As players competed, there was plenty of betrayal and squabbling. But the rules quickly became bewildering: it’s still too confusing to detail what precisely was happening. Even more regrettably, we only saw glimpses of the star via prerecorded videos. The series ended up reeking of a programme that was trying way too hard to emulate something way beyond it.

The Lena Dunham Romcom

How do you follow a show that defined a generation? The pressure was immense for this glitzy romantic comedy about Jessica, a rosy-eyed New Yorker who arrives in London with a broken heart. The star seized the opportunity by the horns and was joyous to watch, reveling in Austen levels of romantic ideals. But it was all very slick and, paradoxically, was insufficient. Plus, the sheer amount of celebrity friends involved felt icky.

The Sketch Show Return

Not even good enough to be ‘uneven’.

Given the shrewd inclusion of talented younger comics, expectations were high. But sadly, most of it didn’t land. A particular sketch was a single joke stretched to a husk but repeated in every episode. One star seemed too willing to slip into a familiar ranting mode. The behind-the-scenes sketches, in contrast, simply provoked the thought that they should probably have remained in there a bit longer.

The Knox Dramatisation

This retelling of the story of Amanda Knox was overseen by Amanda Knox and pretty much exclusively presented the perspective of Amanda Knox. So, while there undoubtedly is an compelling drama to be made about the horrific 2007 murder, this was not it. The subject matter needed to be treated sensitively. Instead, the series laboured awkwardly to find the right voice, lumbering from oddly breezy, somewhat mannered farce to inevitably, real-life horror. Twisted? Arguably. A total mess? Very much so.

The Maths Genius Thriller

We admire the lead actor … but did we believe him playing the most brilliant maths genius in history, a man so intelligent he’s on the brink of a breakthrough that could destabilise society? Nope! This international thriller about government agencies spying on – and killing off – intellectuals frankly got more farcical by the second. Formulaic nonsense.

1000 Men and Me: The Bonnie Blue Story

This uncritical portrait followed the online personality renowned for sexual exploits as she prepared for her biggest challenge yet. What on earth would possess her? What we wanted was far greater interrogation of her true psyche, plus those of the men in the line. They could at least have interviewed the now-famous mum who appeared to drag her son out of the queue. What we got was horrific imagery and zero interrogation of her notoriety whatsoever. It's staggering to consider, the filmmaker has a young daughter too.

Anthony Norton
Anthony Norton

A tech enthusiast and digital strategist with over a decade of experience in network solutions and innovation.